Melly's Corelli

Melly's Corelli

The rise of fascism, the powers that be in constant conflict with each other and the stories of ordinary people being drowned out by shouty rhetoric. Sound familiar? The parallels that can be drawn between Captain Corelli’s Mandolin and the current sociopolitical climate aren’t lost on Director Melly Still. But she tells me how she wants to tell a human story, not an ideological one. 

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Get A Hobby

Get A Hobby

Ever found yourself whiling away hours scrolling through Instagram when you could have been doing something (anything) more productive? I’m not denying anyone a good fall down a #NoFilter rabbit hole but your brain might thank you for a more creative pastime. These less than pedestrian hobbies might be just the tonic to reset your busy mind (and clip that phone screen time).

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Notes On... The Drop Out

Notes On... The Drop Out

During the early years of her biotech company Theranos, Elizabeth Holmes took to wearing a black turtleneck every day, in the style of her hero, Steve Jobs. She hired ex-Apple staff and brought in their iconic advertising agency TBWA\Chiat\Day. There's also speculation that she consciously changed her speaking voice to a deeper register, so she would be taken more seriously. And somehow, these are some of the less weird things Holmes has done.

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All the ladies

All the ladies

Friday’s a huge day in the feminist calendar. Maybe the biggest of them all. We've all got it circled in red pen, right? It’s International Women’s Day, and rather than clear a space in your diary to correct trolls on Twitter by telling them that International Men’s Day does exist (it’s on November 19) get down to these awesome happenings supporting local ladies. And prepare to feel pumped about the ace-ness of women in this city.

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DIY in the JQ

DIY in the JQ

Our sweet sweet home is the City of a Thousand Trades. One of those trades has got an entire blooming quarter named after it. So rather than just strolling past the windows and admiring the shiny sparkly things, why not get involved, learn some jewellery-making skills and inevitably become the next Cartier*? *I accept no responsibility for you not becoming the next Cartier.

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Céline Gittens: From Four Years Old to Four Different Roles

Céline Gittens: From Four Years Old to Four Different Roles

It's an hour until curtain-up and I'm sitting next to a ballet dancer, a real life ballet dancer. Unbelievably graceful despite still being in jogging bottoms, Céline Gittens, Birmingham Royal Ballet Principal, is transforming herself into the Rose Fairy for the evening's performance of The Nutcracker. And the humble, strong, knowing 30-year-old is simultaneously talking to me about ballet, Birmingham and burgers...

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Notes On... Dogs on Netflix

Notes On... Dogs on Netflix

My Instagram explore page is 90% dog videos and 10% No Context Louis Theroux posts. I lose hours of my life watching Huskies try to find their hiding owners and German Shepherds catching treats in slow motion (with hilarious consequences, obvs). What I’m saying is, I can and do watch the most banal of dog-related content, so praise be to Netflix for creating some beautifully shot, tear-inducing, quality canine TV too.

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Women, Power, Protest

Women, Power, Protest

As you walk into Gas Hall, a huge holographic wall stretches out to the left, brandished with the words Women, Power, Protest. We all know BMAG don’t shy away from sensitive subjects (oh hey Coming Out), neither do they do sensationalism. For this show, they've created a space that's accessible for everyone despite the pretty intense subject matter. But joyously, the overtly glittery, pink, "feminine" aesthetics continue throughout.

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The Lovely Bones

The Lovely Bones

I was 16 when The Lovely Bones was published, just two years older than the main character, Susie Salmon, who has been murdered and is now trapped in some kind of in-between. The heavy subject matter made waves through my school year, and in particular me and my angsty group of pals, but the story doesn’t seem like the easiest thing to translate to stage. We talked to designer Ana Inés Jabares-Pita about the challenges of creating a set showing both the everyday and the afterlife.

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